'Plants as Teachers: Pedagogical Gardens as Socially Engaged Art Practices,' Center for Great Plains Studies Interdisciplinary Conference: Plant to Table: Food Production, Culture, and Consequences on the Great Plains, Lincoln, NE, April 2023.
'Urban Dirt and Environmental Justice,' Midwest Art History Society, Milwaukee, WI, March 2023.
Session: 'Storytelling for Stoichiometry Research and Data,' Participatory workshop co-developed with Vaughn Bell, Conference on Biological Stoichiometry, Lincoln, Nebraska, March 2023.
'Centering Indigenous Knowledges and Fostering Intimate Learning as Strategies for Climate Justice Art,' CAA Annual Conference, New York, February 2023.
'Gardening as Education and Healing in San Francisco.' University Art Association of Canada, Toronto, October 2022.
'Becoming Art History & Visual Studies: A Curricular Strategy of Emergence at a State University,' CAA Annual Conference, February 2021.
'Choreographing the Pedagogical Situation: Suzanne Lacy’s Performances of the 1980s,' University Art Association of Canada, Québec, October 2019.
‘On a Beneficial (Útil) Art History to Come: Art History As the Future Not the Past.’ College Art Association, Los Angeles, February 2018.
‘The Impromptu Classroom as Refuge and Space of Emergence in Time of Crisis.’ University Art Association of Canada, Banff, October 2017.
‘Cycles of Teaching Collaborative Creativity.’ Society for Literature, Science, and the Arts, Atlanta, November 2016.
‘Learner-Participants in Pedagogical Socially Engaged Art.’ University Art Association of Canada, Montreal, October 2016.
‘Art History as Practice, Not Data Set.’ College Art Association Annual Conference, Washington, DC, February 2016.
Moderator: ‘Interrogations: Gender and Performativity.’ Rapid Pulse International Performance Art Festival, Chicago, June 2015.
Co-organized with Rae Goodwin: Audience Appeals and Performing Assistance Conference. One-day symposium. University of Kentucky, 17 April 2015. Available online: http://www.youtube.com/playlist?list=PLOltnY922eIFs-DdA0eoUxIMtCBaTXDqI.
Co-chair with Gyewon Kim: ‘Documenting in the Sixties: Politics, Techniques and Archives.’ Panellists: Matthias Pfaller, Christian Berger, Samantha Epps, Marco Pasqualini de Andrade. Presented paper: ‘Documentation as Group Activity: Networking Fluxus Performances.’ Association of Art Historians Annual Conference, Norwich, April 2015.
Chair: ‘The Performative Audience of Contemporary Art.’ Panellists: Joanna Matuszak, Giovanna Bassi Cendra, Kanitra Fletcher, Indra Lacis. College Art Association Annual Conference, New York, February 2015.
‘Transmissions Between Audiences and Artists in Contemporary Performance.’ Society for Literature, Science, and the Arts, Dallas, October 2014.
‘Fans of Fluxus: Producers and Consumers of Performance.’ College Art Association Annual Conference, Chicago, February 2014.
‘The Economics of the Performative Audience.’ Southeastern College Art Conference, University of North Carolina, Greensboro, November 2013.
Co-chair with Milena Tomić: ‘Becoming-Image: Contemporary Performance and Its Formalization.’ Panellists: Barbara Clausen, Maud Jacquin, Anthea Black, Nicole Burisch. University Art Association of Canada, Banff Centre, October 2013.
‘Alain Badiou’s Theory of Events and the Problem of Performance Documentation.’ Performance Studies International 19, Stanford University, June 2013.
‘Performance Documentation as Feedback Loop and Adrian Piper’s Yogic Diet.’ Documenter Recréer/Between Documenting, Re-creating: Memories and Transmissions of Performance and Contemporary Dance Works, Université de Québec à Montréal, May 2013.
‘Whose Bodies Perform?’ Traversing the New: Climates and contours in 21st century Performance Practices, IN>TIME 13 Performance Symposium, Chicago, February 2013.
‘Acting out: Reenactment in the Art History Classroom.’ College Art Association Annual Conference, New York, February 2013.
‘Mapping Neural Connections: the ‘Mindscapes’ of Nayda Collazo-Llorens.’ University Art Association of Canada Annual Conference, Concordia University, Montreal, November 2012.
‘Translation as Interrupted Collaboration in Fluxus Performance.’ Association of Art Historians Annual Conference, The Open University, Milton Keynes (UK), March 2012.
‘Anonymity and Invisibility in 1960s Performance Documentation.’ Archive and Everyday Life Conference, McMaster University, Hamilton (Canada), May 2010.
‘A Recipe for Action: Continuous Re-interpretation in the Documentation of Alison Knowles’s Identical Lunch (1968-73).’ University Art Association of Canada Annual Conference, Nova Scotia College of Art and Design, Halifax, November 2006.